Monday, July 14, 2014

For the Love of Poetry

Here's the thing: I didn't like poetry before. Of course, I loved Nizar Qabbani, but besides his poems, and the few ones we learned at school, poetry wasn't appealing to me. Turns out, I was reading poems the right way because I never gave a poem enough time to be assimilated. I read poems once, at any time and any place. I read a huge number of poems in one session. These were all signs of unhealthy reading. With time, and other people' s experiences, I learned that each poem must be read as carefully as can be (more than once for sure), and that one can never read poems unless the mood is right. 


That's when I decided to throw the Book Lovers' first poetry reading night, where people got to read their own poems or their favorite ones. Also, we all wrote down what poetry meant to us and here's the result:







 "Poetry heals the wounds inflicted by reason"
Novalis



Afterwards, I started attending poetry nights. I also committed myself to posting a poem a day for about a month on the facebook page affiliated with this blog (Click Here). This was by far the best mean to discovering new poets, and mostly breathing in their words. If you are a newbie in poetry or not, I highly encourage you to reading a poem a day. Below you'll find a selection of the poems I posted on the facebook page (the last one is one of my most favorite poems ever).


Enjoy






Poem by surrealist poet Robert Desnos (1900-1945). Aside from poetry he was a French resistant, and was deported to a concentration camp. He died from Typhoid only weeks after his liberation from the camp.

"GOOD DAY GOOD EVENING"

It's night be the flame
And the red that colors the clouds
Good day sir Good evening madam
You don't look your age
What does it matter if your embraces
Make the twin stars bleed
What does it matter if your face is painted
if hoarfrost glitters on the branches
Of granite or marble
Your age will show
And the shade of the great trees
will walk on your graves.





Poem by Swedish poet Karin Boye (1900-1941)

"How can I tell ..."

How can I tell, if your voice is lovely.
I just know this, that it penetrates me
so deep it makes me tremble like a leaf
and rips me into shreds and detonates me.

What do I know about your skin, your limbs.
Just that it jolts me they belong to you,
so that for me there is no sleep and peace
till they are mine too.

 

Poem by Emily Dickinson because I literally started early and took my dog and visited the sea ^^




I started Early — Took my Dog
  And visited the Sea
 The Mermaids in the Basement
Came out to look at me 

And Frigates in the Upper Floor
Extended Hempen Hands 
 Presuming Me to be a Mouse 
 Aground upon the Sands 

But no Man moved Me till the Tide
Went past my simple Shoe 
 And past my Apron  and my Belt 
 And past my Bodice too

And made as He would eat me up 
 As wholly as a Dew
Upon a Dandelion’s Sleeve 
 And then I started too

And He He followed close behind
I felt his Silver Heel
Upon my Ankle Then my Shoes
Would overflow with Pearl 
  
Until We met the Solid Town
No One He seemed to know
And bowing  with a Mighty look 
 At me  The Sea withdrew



Poem by Edna St. Vincent Millay (1892-1950)

“Oh, think not I am faithful”

Oh, think not I am faithful to a vow!
Faithless am I save to love's self alone
Were you not lovely I would leave you now:
After the feet of beauty fly my own
Were you not still my hunger's rarest food
And water ever to my wildest thirst
I would desert you—think not but I would!
And seek another as I sought you first
But you are mobile as the veering air
And all your charms more changeful than the tide
Wherefore to be inconstant is no care:
I have but to continue at your side
So wanton, light and false, my love, are you
I am most faithless when I most am true


beautiful?
I only know, that it penetrates me
and makes me shake like a leaf
and tears me to shreds and breaks
me.
What do I know about your skin
and limbs?
It makes me tremble that they are
yours,
so for me there is no sleep or life
till I make them mine.
beautiful?
I only know, that it penetrates me
and makes me shake like a leaf
and tears me to shreds and breaks
me.
What do I know about your skin
and limbs?
It makes me tremble that they are
yours,
so for me there is no sleep or life
till I make them mine.
"Weathers" by Thomas Hardy, I remembered it because it rained for the first time yesterday while I was driving.


This is the weather the cuckoo likes,
And so do I;
When showers betumble the chestnut spikes,
And nestlings fly;
And the little brown nightingale bills his best,
And they sit outside at 'The Traveller's Rest,'
And maids come forth sprig-muslin drest,
And citizens dream of the south and west,
And so do I.

This is the weather the shepherd shuns,
And so do I;
When beeches drip in browns and duns,
And thresh and ply;
And hill-hid tides throb, throe on throe,
And meadow rivulets overflow,
And drops on gate bars hang in a row,
And rooks in families homeward go,
And so do I.



Poem by the one and only Sylvia Plath. Oh I just think everyone ought to learn this poem by heart! lovely, lovely words!


“I am vertical”


But I would rather be horizontal.
I am not a tree with my root in the soil
Sucking up minerals and motherly love
So that each March I may gleam into leaf,
Nor am I the beauty of a garden bed
Attracting my share of Ahs and spectacularly painted,
Unknowing I must soon unpetal.
Compared with me, a tree is immortal
And a flower-head not tall, but more startling,
And I want the one's longevity and the other's daring.
Tonight, in the infinitesimal light of the stars,
The trees and the flowers have been strewing their cool odors.
I walk among them, but none of them are noticing.
Sometimes I think that when I am sleeping
I must most perfectly resemble them –
Thoughts gone dim. It is more natural to me, lying down.
Then the sky and I are in open conversation,
And I shall be useful when I lie down finally:
Then the trees may touch me for once, and the flowers have time for me.







A tribute to my friend's journey that is about to start.
"The Road Not Taken" by Robert Frost


TWO roads diverged in a yellow wood,

And sorry I could not travel both

And be one traveler, long I stood

And looked down one as far as I could

To where it bent in the undergrowth;



Then took the other, as just as fair,

And having perhaps the better claim,

Because it was grassy and wanted wear;

Though as for that the passing there

Had worn them really about the same,



And both that morning equally lay

In leaves no step had trodden black.

Oh, I kept the first for another day!

Yet knowing how way leads on to way,

I doubted if I should ever come back.




I shall be telling this with a sigh

Somewhere ages and ages hence:

Two roads diverged in a wood, and I—

I took the one less traveled by,

And that has made all the difference.





"Two pretty eyes" by Bulgarian symbolist romantic poet Peyo Yavorov (1878-1914)
He wrote most of his poems to two women who died before him. The first was lost to tuberculosis, the second killed herself out of jealousy. He was blamed for the death of his wife and even accused of killing her. He committed suicide (twice because the first time, the bullet blinded him) and died at the age of 36.

Two pretty eyes. The soul of a child.
In them is music - light.
They don't desire, they hold no promises inside.
My soul - in pray,
Oh, child,
My soul - in pray!
The sorrow-passions of the day
will cover them within
- a veil of shame and sin.
The veil of shame and sin
won't cover them within
by sorrow-passions of the day.
My soul - in pray,
Oh, child
My soul - in pray!
They don't desire, they hold no promises inside.
Two pretty eyes. ...And music-light
in them... The soul of a child.




"My Folly of Being" .. a poem by the Romanian Surrealist poet Ghérasim Luca.

Despair has three pairs of legs
despair has four pairs of legs
four pairs of light volcanic absorbent symmetrical legs
it has five pairs of legs five symmetrical pairs
or six pairs of light volcanic legs
seven pairs of volcanic legs
despair has seven or eight pairs of volcanic legs
eight pairs of legs eight pairs of socks
eight light forks absorbed by the legs
it has nine forks symmetrical in its nine pairs of legs
ten pairs of legs absorbed by its legs
in other words eleven pairs of absorbent volcanic legs
despair has twelve pairs of legs twelve pairs of legs

it has thirteen pairs of legs
despair has fourteen pairs of light volcanic legs
fifteen fifteen pairs of legs
despair has sixteen pairs of legs sixteen pairs of legs
despair has seventeen pairs of legs absorbed by the legs
eighteen pairs of legs and eighteen pairs of socks
it has eighteen pairs of socks in the forks of its legs
in other words nineteen pairs of legs
despair has twenty pairs of legs
thirty pairs of legs.
despair doesn’t have any pairs of legs
not a single pair of legs
absolutely not absolutely no legs
absolutely not a single leg
absolutely three legs
pretty eyes. The soul of a child.
In them is music and light.
They don't desire, they hold no
promises inside.
My soul, in pray,
Oh, child,
My soul, in pray!
The passions and sorrows
will cover them tomorrow
with the veil of shame and sin.
The veil of shame and sin
won't cover them tomorrow
by the passions and sorrows.
My soul, in pray,
Oh, child,
My soul, in pray!
They don't desire, they hold no
promises inside...
In them is music and light.
Two pretty eyes. The soul of a child.the age of 36.




Poem by the first Latin American and the fifth woman to ever receive the Nobel Prize in Literature, in 1945. Hear, hear for Chilean poet Gabriela Mistral (1889-1957)


A crippled child
Said, “How shall I dance?”
Let your heart dance
We said.

Then the invalid said:
“How shall I sing?”
Let your heart sing
We said

Then spoke the poor dead thistle,
But I, how shall I dance?”
Let your heart fly to the wind
We said.

Then God spoke from above
“How shall I descend from the blue?”
Come dance for us here in the light
We said.

All the valley is dancing
Together under the sun,
And the heart of him who joins us not
Is turned to dust, to dust.




One of my most favorite poems ever: "Fearful Women" by Carolyn Kizer.

Arms and the girl I sing - O rare
arms that are braceleted and white and bare

arms that were lovely Helen's, in whose name
Greek slaughtered Trojan. Helen was to blame.

Scape-nanny call her; wars for turf
and profit don't sound glamorous enough.

Mythologize your women! None escape.
Europe was named from an act of bestial rape:

Eponymous girl on bull-back, he intent
on scattering sperm across a continent.

Old Zeus refused to take the rap.
It's not his name in big print on the map.

But let's go back to the beginning
when sinners didn't know that they were sinning.

He, one rib short: she lived to rue it
when Adam said to God, "She made me do it."

Eve learned that learning was a dangerous thing
for her: no end of trouble would it bring.

An educated woman is a danger.
Lock up your mate! Keep a submissive stranger

like Darby's Joan, content with church and Kinder,
not like that sainted Joan, burnt to a cinder.

Whether we wield a scepter or a mop
It's clear you fear that we may get on top.

And if we do -I say it without animus-
It's not from you we learned to be magnaminous.

arms that were lovely Helen's, in whose name
Greek slaughtered Trojan. Helen was to blame.

Scape-nanny call her; wars for turf
and profit don't sound glamorous enough.

Mythologize your women! None escape.
Europe was named from an act of bestial rape:

Eponymous girl on bull-back, he intent
on scattering sperm across a continent.

Old Zeus refused to take the rap.
It's not his name in big print on the map.

But let's go back to the beginning
when sinners didn't know that they were sinning.

He, one rib short: she lived to rue it
when Adam said to God, "She made me do it."

Eve learned that learning was a dangerous thing
for her: no end of trouble would it bring.

An educated woman is a danger.
Lock up your mate! Keep a submissive stranger

like Darby's Joan, content with church and Kinder,
not like that sainted Joan, burnt to a cinder.

Whether we wield a scepter or a mop
It's clear you fear that we may get on top.

And if we do -I say it without animus-
It's not from you we learned to be magnaminous.Two pretty eyes. The soul of a child.
In them is music and light.
They don't desire, they hold no
promises inside.
My soul, in pray,
Oh, child,
My soul, in pray!
The passions and sorrows
will cover them tomorrow
with the veil of shame and sin.
The veil of shame and sin
won't cover them tomorrow
by the passions and sorrows.
My soul, in pray,
Oh, child,
My soul, in pray!
They don't desire, they hold no
promises inside...
In them is music and light.
Two pretty eyes. The soul of a child.
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.