Tuesday, October 21, 2014

Message to Story Tellers

Early in the morning, I was driving my car when this heavenly song was played on the radio. Nothing special so far right? You've heard it many times before. Except that you're a crazy book lover, it's autumn; "the season of soul" as Nietzsche calls it, and you have just met one of your most favorite authors of all times: The one and only "Rawi Hage". And suddenly the song has a personal meaning, and your day couldn't have started any better!


"Scientists are the best readers." Rawi Hage, personal communication


Rawi Hage wrote several books among which "Carnival", the book that has touched the deepest part in me. Picture this, me listening to the song and Rawi Hage popping to mind. In Arabic, "Rawi" is a name, and it also means story teller. His parents must have had a premonition or something! And this song is just everything I would have ever wanted to tell him and all the writers that make me love books so much. So here it goes:





I will soon post a new entry about my encounter with Rawi Hage. But for now, I just urge you to listen to Souad Massi's song "Raoui". The song comes with English translation for those who don't understand Arabic or Algerian dialect. Let me know if you've liked it and if it makes you think of any story teller in particular.



Cheers













Monday, October 20, 2014

Lebanese National Commission for UNESCO Reading Award 2015

Dear all,

Remember the reading competition I won last year? (Click Here if you don't) Well it's on again this year!!!




The Lebanese National Commission for UNESCO in Lebanon is organizing  a reading competition. If you've been reading for free, now you might get some money out of it! The prizes are 3,000,000 L.L. (2000 dollars), 2,250,000 L.L. and 1,500,000 L.L. For details, please see below. Briefly, you can participate if you are over 25 y. o. and are willing to read 5 books in 5 months and write a review for each.


Besides the obvious tempting financial rewards, there are many reasons why I think you should sign up to this competition.


1- You like to read and have been reading for ages and this is finally your chance at getting some recognition and appreciation for your passion.


2- Just another excuse to read five new books (as if you needed one).


3- To encourage other people around you to read and maybe participate with you in the competition.


4- To make a statement: Lebanese people read! Just look at how much participated in this competition alone.


And last but not least,


5- Because I won the first prize last year and there's no reason why you can't win it this year!!!









At the awards ceremony (I'm the girl in the middle, second row)




Lebanese National Commission for UNESCO Reading Award 2015



True to its mission to promote the culture of spreading knowledge, the Lebanese National Commission for UNESCO launches the second edition of the annual national reading award, aimed at promoting reading as a means for the construction of thought and the blossoming of the human being, and therefore as an enabling factor for sustainable development.
Target Group:
Readers over 25 years old, not working in the publishing industry.
Conditions of Participation:
- A minimum of 5 books must be read.
- Minimum length of book is 125 pages.
- To be eligible, the selected books should not have been used by the applicant to write an academic research study, a newspaper article, a report for a publishing house or to participate in a cultural forum.
Submission Process:
Phase I from 10/10/2014 to 10/11/2014

Registration at the Lebanese National Commission office (Hamra – Ministry of Culture Building – ‎‎1st floor)
Phase II from 16/03/2015 to 31/03/2015
Submission of a 500-word reflection paper for each book read during a specified period of time. Applicants must avoid plagiarism.
Selection Process: from 13/04/2015 to 17/04/2015
The selection process is carried out by an assessment committee formed at the Lebanese National Commission for UNESCO, and is made of two stages:
1. Screening and shortlisting of the candidates.
2. Oral interviews for the shortlisted candidates will be conducted to assess the quality of reading and its influence on the reader’s thoughts and vision of the world.
The announcement of the winners and the awards ceremony will take place under the patronage of the Minister of Culture, in the framework of the national reading week, in the end of April 2015.
Prizes:
1st Prize: 3.000.000 L.L.
2nd Prize: 2.250.000 L.L.
3rd Prize: 1.500.000 L.L.
Note: Cookbooks, poetry, astrology and religious books are not eligible.
For further information, kindly contact the Lebanese National Commission: 01-749105
(Mrs. Katia Ibrahim - Head Librarian and Activity Coordinator).

Good luck readers.




Cheers,




Isabelle




















Monday, October 6, 2014

The Proof of Honey - Salwa Al Neimi برهان العسل - سلوى النعيمي

"The Proof of Honey" is a controversial book, famous for being erotically bold. I wasn't at all attracted by this literary genre (Although I hate classifications in general), but I was definitely very intrigued after knowing that the author is a contemporary Arab WOMAN. The only Arabic book in this genre I had read before and absolutely hated and hated myself for reading it was "Meryl Streep can suit herself" by Rachid Al Daif. Just saying, I started reading "The proof of Honey" with a lot of apprehension.


Plot wise, the book is not complicated: From the beginning we discern that a nameless Arab female narrator is taking us readers on a journey through her sexual adventures. But statement wise: this is huge! Most people in our Arab societies are not ready for it yet. Girls having sex and admitting it openly is a serious crime. The minimal sentence for such act is mental lapidation.

From a literary point of view, the author has a an exquisite pen and I'll post below some of her quotes to let you judge yourselves.

The story was also very dynamic: We have anecdotes about the various lovers, snapshots of the narrator's life in Paris. We also plunge into her librarian work and the research she is entrusted with and which fits perfectly with the theme of the book because it deals with Arabic literature and sex. We also travel with her on a voyage, and get introduced to stories of her acquaintances. To sum up, one is not bored at all while reading this book.

Adding to all the above mentioned "signs of a successful book" as I like to call them, was the fact that the author quoted many authors/ poets/ religious personalities and brilliantly incorporated these historical flashback parentheses in her manuscript.

The cherry on top of the cake for me was the novelty of some of the ideas and the all over the place feminist statements of her very strong female narrator when she for example declares that:








The book was excellent in every sense of the term and I highly recommend it for curious readers. Let me however warn you that there are some pretty steamy and bold descriptions of the main character's sex encounters. I did not however find them disgusting like the ones in the other book I mentioned earlier. In any case, sensitive souls better abstain.

To wrap up, I just wanted to draw your attention to the fact that this book has earned its author name calling and other preposterous accusations, judgements as well as insults, only because the narrator is a girl. The reviewers judged the author and not the book or the story attacking her with all the hideous connotations just because the narrator has a lifestyle that doesn't fit to the reviewers' standards (Reference available upon request). These same double standard reviewers never attacked just to give an example Rachid Al Daif's book even though the narrator's name was Rachoud. They did not confuse for some reason the author with the narrator. Also it seems that men are entitled to write and live as they please while women are to be figuratively damned for it. What a shameful and sick mentality! But what reason do we need more to read the book and praise it and piss them off?

Yours Truly,

Isabelle


















Friday, September 26, 2014

My Epistolar Traces

If you know me, or have read the blog, you would know by now my obsession about this Belgian author who answers to the name of "Amélie Nothomb".
(But please feel free to click here if you have no idea what I am talking about)



The other day, I stumbled on a letter I wrote to lady Nothomb on the 17th of January, 2010.  I couldn't help but read it of course, and it plunged me in the same emotional state that I was in when I first wrote those words to her. I also remembered how magical writing letters to each other is, and how very few people in Lebanon still do it. Most importantly, I realized all of sudden that aside from my reviews on the blog, I have almost no writings of my own, except for the letters I exchange with my friends and loved ones.


I have decided to share with you this personal letter (written in French) in an attempt to preserve the few witnesses of my pen traces and to urge you to write to each others as if mailing was the only means of communication known in your time. The world's greatest writers, poets and even scientists and rulers did it so why wouldn't you? Check it out yourself if you don't believe me by following this link.


And now for my letter:




"                                                                                                                                         Le 17-01-2010


Chère Amélie,
J'aimerai sincèrement saluer votre courage et vous remercier d'être venue au Liban quelques mois après une guerre très marquée encore dans nos esprits à tous. Je vous remercie également de m’avoir retourné la photo ; j’y tenais vraiment beaucoup.
 


Le courrier comme vous l’avez indiqué est une jolie façon de se rencontrer. En tant que lectrice fidèle, je me considère très chanceuse de pouvoir vous écrire et vous lire en privé ; vous mon auteure préférée dont les œuvres m’ont transformé en lectrice. J’ai l’impression de me répéter encore dans cette lettre mais je ne peux pas m’empêcher de vous déclarer mon estime et admiration à chaque occasion qui s’offre. Autant c’est un plaisir de vous écrire, autant c’était un plaisir d’avoir lu vos mots doux. J’ai été très touchée par votre lettre et surprise que vous vous intéressiez à moi, à savoir ce que je fais en ce moment. Et bien, je galère un peu comme tout le monde pour commencer une thèse mais je suis optimiste et je travaille beaucoup afin de mener à terme ce projet, donc tout devrait bientôt s’arranger.

Sinon, j’ai fait la connaissance de plusieurs personnes admirables sur le forum actif qui vous est consacré, et de fortes amitiés sont nées entre nous : ma vie est plus joyeuse depuis.


Enfin chère Amélie, je tenais à vous dire que je vous écrirai régulièrement une (peut-être deux) lettre(s) par an tant que vous le permettez. Nous sommes très nombreux à vous écrire et je ne souhaite vraiment pas vous épuiser ni abuser de votre gentillesse. Même si je ne vous écrirai pas souvent, sachez bien que je penserai souvent à vous : vous faites vraiment partie des personnes les plus importantes, influeçantes et présentes dans ma vie.
Bonne année et à l’année prochaine

Votre disciple Isabelle

P.S. Eh oui je dis bien disciple, quelques amis et moi étions vraiment surpris d’apprendre que nous étions des disciples, voir même une secte !!! Mais nous nous sommes tous mis d’accord : quand vous (que votre nom soit loué) auriez décidé de la fin de notre monde, nous nous jetterons tous dans une mare de carpes – ou si nécessaire dans un aquarium rempli de poissons rouges.




P.S.2 Mes tantes aux États-Unis à qui j’ai offert « Stupeur et tremblements » et « Ni d’Ève ni d’Adam »  pour Noël vous saluent beaucoup aussi. »  



If you're reading this post, I would really love to have more interaction with you. So let me know if you have ever written to authors you like or if you consider it. It would also be great to discover what you think of epistolary relationships.

Cheers






Poems are the Perfect Gifts

Birthday presents are truly about the thought one puts in. After much thought, I decided to dedicate a poem for my mother on her birthday. I meticulously searched for the words that best fit my feelings towards her and jubilated to know she truly loved what I had picked for her. Of course this was only part of my gift to her, but I truly felt she was moved by this initiative more than anything else. This is to share with you the poem I had picked for her, and the idea of dedicating poems to our loved ones instead of always going for the happy birthday wishes found on birthday cards.





My family reunited to celebrate Mom's birthday. My bro Maurice was not with us unfortunately :(



"Unfolded out of the Folds" by Walt Whitman (from Leaves of Grass, 1860)


UNFOLDED out of the folds of the woman, man comes unfolded, and is always to come unfolded;

Unfolded only out of the superbest woman of the earth, is to come the superbest man of the earth;

Unfolded out of the friendliest woman, is to come the friendliest man;

Unfolded only out of the perfect body of a woman, can a man be formed of perfect body;

Unfolded only out of the inimitable poem of the woman, can come the poems of man—only thence have my poems come
Unfolded out of the strong and arrogant woman I love, only thence can appear the strong and arrogant man I love;

Unfolded by brawny embraces from the well-muscled woman I love, only thence come the brawny embraces of the man;

Unfolded out of the folds of the woman’s brain, come all the folds of the man’s brain, duly obedient;

Unfolded out of the justice of the woman, all justice is unfolded;

Unfolded out of the sympathy of the woman is all sympathy:
A man is a great thing upon the earth, and through eternity—but every jot of the greatness of man is unfolded out of woman,
First the man is shaped in the woman, he can then be shaped in himself.



Does the poem stand up to your expectations? Will you now consider going on a poem hunt for the special ones in your lives? Or have you ever done it before? So many questions on my mind, and if you feel like sharing, please don't hesitate to comment.

Cheers








Saturday, August 16, 2014

Le Quatrième Mur by Sorj Chalandon

I have wanted to read this book since the "salon du livre francophone de Beyrouth" took place.


I had many magical encounters during this year's salon du livre, the most marking one being that with Sorj Chalandon when interviewed about this book, his latest. The plot instantly struck me with its ingenuity: During the Lebanese civil war, Sam, a Jewish Greek revolutionary and theater lover living in France, decides to mount the play "Antigone" by Anouilh in the heart of tormented Beirut. And if that wasn't challenging enough for him, he wanted the actors to be from the different confessions that are at war. The idea seems crazy, but he sees in it a hope to unite the Lebanese people that are literally killing each other. To have the shooting cease for one or two hours, is Sam's life dream. Unfortunately, he falls ill and finds himself unable to leave the hospital bed so he entrusts the mission to his friend Georges.

 With Sorj Chalandon at the salon du livre francophone de Beirut - 2013



The book naturally was a success and was awarded both the prix Goncourt le choix de l'Orient and the prix Goncourt le choix des lycéens. Altogether, everything made me want to read the book, but I didn't buy it for it was too expensive for me. Chit-chatting with my friends, I mentioned both the salon du livre and "Le quatrième mur". Few months later, my generous friend Mohammad, surprised me with the book for my birthday. So this review is for him.


To start, the title itself is extremely beautiful and successfully incorporated in the story (at least twice). The first time, the author explains that the quatrième mur is an imaginary wall that the actors draw between them and the audience, to stay in the play. The second time, is at the very end of the book and I can't spoil it for you but I can only say Bravo! I also thought of the title when they chose to mount the play in a bombarded theater that looked like a roman open air hippodrome because it has only 3 walls left.

The style of writing was very peculiar and consisted mostly of short sentences (some were really short!) mimicking to a great extent the way Sorj Chalandon naturally speaks in real life. It wasn't what I look for usually in books but it was very amusing.


What I loved in the book was that the author chose to mount Antigone by Anouilh not that of Sophocles for several reasons:
The first and least important, is that it would be more complicated to mount a play that includes Gods in a country killing for religion.
Second, the author and Sam think that Antigone of Anouilh is revolutionary and that Antigone of Sophocles is just fulfilling male indicted wills.
And last but not least, the fact that Antigone of Anouilh was mounted during Nazi occupation of Paris with the guards wearing Gestapo like clothes. How did the Nazis accept? Well they were happy because Antigone dies, thinking that the resistance dies and that they win so it's only normal for the guards who kill Antigone, the winning team to be Nazis. Then why did the French accept? Because they thought that the resistance triumphed through Antigone's death which lead to the death of the king's son and his wife's suicide leaving him alone with his guards waiting a death that was not far (all his glory was destroyed when he faced the resistance)


Now the fun part was how Sorj Chaldandon casted a Chirstian, a Palestinian girl, a Druze and a couple of Shiites and other Lebanese minorities to play Antigone, her fiancé, the king, the guards and other characters ... Can you guess which confession was playing which character? It was also very interesting to learn how each confession interpreted Antigone. I have always thought of Antigone the way the Phalangist character in the play did, meaning that her death could have been avoided and that her stubbornness killed her and that she didn't achieve anything. But after I learned about the Anouilh historical anecdote, I cannot but admit how mistaken I was and that I now totally agree on Antigone from the point of view of the Palestinian protagonist: Antigone is the resistance, and the resistance shall overcome and win.


The best part by far was the ending where the book became a play, in form and in content. (Enough said, read it).




However, there were parts that I hated in the book, mostly Georges. I didn't like him because of the violence he is involved in (Jussieu, where I went for university studies was however mentioned in some of those violent events so yaaaay??!!). I was also repulsed by what he did to the Phalangist because it didn't make sense at all to me, it was another one of those everybody in the war is a criminal but let's just punish the phalangists only.
On a personal deeper interpretation, I thought Gorges and Sorj (notice the name play) were very close, but that there was a part of Sam in Sorj too, the part that is more mature and most importantly more compassionate, and it made me happy.





Other little things that bothered me were that although Sorj was very familiar with Lebnon having covered up the war in 82), he missed a couple of things in the book: for example I am not sure the Druze wear the clothes he described. The name Nakad is never a first name in Lebanon because it means nagging (kind of), but it is a common druze Family name, so maybe it was used on purpose. The same goes for the name of the Shiite Imam, the name sounds Arabic, but it's not. I also noted some mistakes here and there: the tour name misspelled, a period missing etc. which is a shame for such a prestigious publishing house.


Let me know what you think of the review
Share your comments and have a great day
Cheers














Monday, July 14, 2014

For the Love of Poetry

Here's the thing: I didn't like poetry before. Of course, I loved Nizar Qabbani, but besides his poems, and the few ones we learned at school, poetry wasn't appealing to me. Turns out, I was reading poems the right way because I never gave a poem enough time to be assimilated. I read poems once, at any time and any place. I read a huge number of poems in one session. These were all signs of unhealthy reading. With time, and other people' s experiences, I learned that each poem must be read as carefully as can be (more than once for sure), and that one can never read poems unless the mood is right. 


That's when I decided to throw the Book Lovers' first poetry reading night, where people got to read their own poems or their favorite ones. Also, we all wrote down what poetry meant to us and here's the result:







 "Poetry heals the wounds inflicted by reason"
Novalis



Afterwards, I started attending poetry nights. I also committed myself to posting a poem a day for about a month on the facebook page affiliated with this blog (Click Here). This was by far the best mean to discovering new poets, and mostly breathing in their words. If you are a newbie in poetry or not, I highly encourage you to reading a poem a day. Below you'll find a selection of the poems I posted on the facebook page (the last one is one of my most favorite poems ever).


Enjoy






Poem by surrealist poet Robert Desnos (1900-1945). Aside from poetry he was a French resistant, and was deported to a concentration camp. He died from Typhoid only weeks after his liberation from the camp.

"GOOD DAY GOOD EVENING"

It's night be the flame
And the red that colors the clouds
Good day sir Good evening madam
You don't look your age
What does it matter if your embraces
Make the twin stars bleed
What does it matter if your face is painted
if hoarfrost glitters on the branches
Of granite or marble
Your age will show
And the shade of the great trees
will walk on your graves.





Poem by Swedish poet Karin Boye (1900-1941)

"How can I tell ..."

How can I tell, if your voice is lovely.
I just know this, that it penetrates me
so deep it makes me tremble like a leaf
and rips me into shreds and detonates me.

What do I know about your skin, your limbs.
Just that it jolts me they belong to you,
so that for me there is no sleep and peace
till they are mine too.

 

Poem by Emily Dickinson because I literally started early and took my dog and visited the sea ^^




I started Early — Took my Dog
  And visited the Sea
 The Mermaids in the Basement
Came out to look at me 

And Frigates in the Upper Floor
Extended Hempen Hands 
 Presuming Me to be a Mouse 
 Aground upon the Sands 

But no Man moved Me till the Tide
Went past my simple Shoe 
 And past my Apron  and my Belt 
 And past my Bodice too

And made as He would eat me up 
 As wholly as a Dew
Upon a Dandelion’s Sleeve 
 And then I started too

And He He followed close behind
I felt his Silver Heel
Upon my Ankle Then my Shoes
Would overflow with Pearl 
  
Until We met the Solid Town
No One He seemed to know
And bowing  with a Mighty look 
 At me  The Sea withdrew



Poem by Edna St. Vincent Millay (1892-1950)

“Oh, think not I am faithful”

Oh, think not I am faithful to a vow!
Faithless am I save to love's self alone
Were you not lovely I would leave you now:
After the feet of beauty fly my own
Were you not still my hunger's rarest food
And water ever to my wildest thirst
I would desert you—think not but I would!
And seek another as I sought you first
But you are mobile as the veering air
And all your charms more changeful than the tide
Wherefore to be inconstant is no care:
I have but to continue at your side
So wanton, light and false, my love, are you
I am most faithless when I most am true


beautiful?
I only know, that it penetrates me
and makes me shake like a leaf
and tears me to shreds and breaks
me.
What do I know about your skin
and limbs?
It makes me tremble that they are
yours,
so for me there is no sleep or life
till I make them mine.
beautiful?
I only know, that it penetrates me
and makes me shake like a leaf
and tears me to shreds and breaks
me.
What do I know about your skin
and limbs?
It makes me tremble that they are
yours,
so for me there is no sleep or life
till I make them mine.
"Weathers" by Thomas Hardy, I remembered it because it rained for the first time yesterday while I was driving.


This is the weather the cuckoo likes,
And so do I;
When showers betumble the chestnut spikes,
And nestlings fly;
And the little brown nightingale bills his best,
And they sit outside at 'The Traveller's Rest,'
And maids come forth sprig-muslin drest,
And citizens dream of the south and west,
And so do I.

This is the weather the shepherd shuns,
And so do I;
When beeches drip in browns and duns,
And thresh and ply;
And hill-hid tides throb, throe on throe,
And meadow rivulets overflow,
And drops on gate bars hang in a row,
And rooks in families homeward go,
And so do I.



Poem by the one and only Sylvia Plath. Oh I just think everyone ought to learn this poem by heart! lovely, lovely words!


“I am vertical”


But I would rather be horizontal.
I am not a tree with my root in the soil
Sucking up minerals and motherly love
So that each March I may gleam into leaf,
Nor am I the beauty of a garden bed
Attracting my share of Ahs and spectacularly painted,
Unknowing I must soon unpetal.
Compared with me, a tree is immortal
And a flower-head not tall, but more startling,
And I want the one's longevity and the other's daring.
Tonight, in the infinitesimal light of the stars,
The trees and the flowers have been strewing their cool odors.
I walk among them, but none of them are noticing.
Sometimes I think that when I am sleeping
I must most perfectly resemble them –
Thoughts gone dim. It is more natural to me, lying down.
Then the sky and I are in open conversation,
And I shall be useful when I lie down finally:
Then the trees may touch me for once, and the flowers have time for me.







A tribute to my friend's journey that is about to start.
"The Road Not Taken" by Robert Frost


TWO roads diverged in a yellow wood,

And sorry I could not travel both

And be one traveler, long I stood

And looked down one as far as I could

To where it bent in the undergrowth;



Then took the other, as just as fair,

And having perhaps the better claim,

Because it was grassy and wanted wear;

Though as for that the passing there

Had worn them really about the same,



And both that morning equally lay

In leaves no step had trodden black.

Oh, I kept the first for another day!

Yet knowing how way leads on to way,

I doubted if I should ever come back.




I shall be telling this with a sigh

Somewhere ages and ages hence:

Two roads diverged in a wood, and I—

I took the one less traveled by,

And that has made all the difference.





"Two pretty eyes" by Bulgarian symbolist romantic poet Peyo Yavorov (1878-1914)
He wrote most of his poems to two women who died before him. The first was lost to tuberculosis, the second killed herself out of jealousy. He was blamed for the death of his wife and even accused of killing her. He committed suicide (twice because the first time, the bullet blinded him) and died at the age of 36.

Two pretty eyes. The soul of a child.
In them is music - light.
They don't desire, they hold no promises inside.
My soul - in pray,
Oh, child,
My soul - in pray!
The sorrow-passions of the day
will cover them within
- a veil of shame and sin.
The veil of shame and sin
won't cover them within
by sorrow-passions of the day.
My soul - in pray,
Oh, child
My soul - in pray!
They don't desire, they hold no promises inside.
Two pretty eyes. ...And music-light
in them... The soul of a child.




"My Folly of Being" .. a poem by the Romanian Surrealist poet Ghérasim Luca.

Despair has three pairs of legs
despair has four pairs of legs
four pairs of light volcanic absorbent symmetrical legs
it has five pairs of legs five symmetrical pairs
or six pairs of light volcanic legs
seven pairs of volcanic legs
despair has seven or eight pairs of volcanic legs
eight pairs of legs eight pairs of socks
eight light forks absorbed by the legs
it has nine forks symmetrical in its nine pairs of legs
ten pairs of legs absorbed by its legs
in other words eleven pairs of absorbent volcanic legs
despair has twelve pairs of legs twelve pairs of legs

it has thirteen pairs of legs
despair has fourteen pairs of light volcanic legs
fifteen fifteen pairs of legs
despair has sixteen pairs of legs sixteen pairs of legs
despair has seventeen pairs of legs absorbed by the legs
eighteen pairs of legs and eighteen pairs of socks
it has eighteen pairs of socks in the forks of its legs
in other words nineteen pairs of legs
despair has twenty pairs of legs
thirty pairs of legs.
despair doesn’t have any pairs of legs
not a single pair of legs
absolutely not absolutely no legs
absolutely not a single leg
absolutely three legs
pretty eyes. The soul of a child.
In them is music and light.
They don't desire, they hold no
promises inside.
My soul, in pray,
Oh, child,
My soul, in pray!
The passions and sorrows
will cover them tomorrow
with the veil of shame and sin.
The veil of shame and sin
won't cover them tomorrow
by the passions and sorrows.
My soul, in pray,
Oh, child,
My soul, in pray!
They don't desire, they hold no
promises inside...
In them is music and light.
Two pretty eyes. The soul of a child.the age of 36.




Poem by the first Latin American and the fifth woman to ever receive the Nobel Prize in Literature, in 1945. Hear, hear for Chilean poet Gabriela Mistral (1889-1957)


A crippled child
Said, “How shall I dance?”
Let your heart dance
We said.

Then the invalid said:
“How shall I sing?”
Let your heart sing
We said

Then spoke the poor dead thistle,
But I, how shall I dance?”
Let your heart fly to the wind
We said.

Then God spoke from above
“How shall I descend from the blue?”
Come dance for us here in the light
We said.

All the valley is dancing
Together under the sun,
And the heart of him who joins us not
Is turned to dust, to dust.




One of my most favorite poems ever: "Fearful Women" by Carolyn Kizer.

Arms and the girl I sing - O rare
arms that are braceleted and white and bare

arms that were lovely Helen's, in whose name
Greek slaughtered Trojan. Helen was to blame.

Scape-nanny call her; wars for turf
and profit don't sound glamorous enough.

Mythologize your women! None escape.
Europe was named from an act of bestial rape:

Eponymous girl on bull-back, he intent
on scattering sperm across a continent.

Old Zeus refused to take the rap.
It's not his name in big print on the map.

But let's go back to the beginning
when sinners didn't know that they were sinning.

He, one rib short: she lived to rue it
when Adam said to God, "She made me do it."

Eve learned that learning was a dangerous thing
for her: no end of trouble would it bring.

An educated woman is a danger.
Lock up your mate! Keep a submissive stranger

like Darby's Joan, content with church and Kinder,
not like that sainted Joan, burnt to a cinder.

Whether we wield a scepter or a mop
It's clear you fear that we may get on top.

And if we do -I say it without animus-
It's not from you we learned to be magnaminous.

arms that were lovely Helen's, in whose name
Greek slaughtered Trojan. Helen was to blame.

Scape-nanny call her; wars for turf
and profit don't sound glamorous enough.

Mythologize your women! None escape.
Europe was named from an act of bestial rape:

Eponymous girl on bull-back, he intent
on scattering sperm across a continent.

Old Zeus refused to take the rap.
It's not his name in big print on the map.

But let's go back to the beginning
when sinners didn't know that they were sinning.

He, one rib short: she lived to rue it
when Adam said to God, "She made me do it."

Eve learned that learning was a dangerous thing
for her: no end of trouble would it bring.

An educated woman is a danger.
Lock up your mate! Keep a submissive stranger

like Darby's Joan, content with church and Kinder,
not like that sainted Joan, burnt to a cinder.

Whether we wield a scepter or a mop
It's clear you fear that we may get on top.

And if we do -I say it without animus-
It's not from you we learned to be magnaminous.Two pretty eyes. The soul of a child.
In them is music and light.
They don't desire, they hold no
promises inside.
My soul, in pray,
Oh, child,
My soul, in pray!
The passions and sorrows
will cover them tomorrow
with the veil of shame and sin.
The veil of shame and sin
won't cover them tomorrow
by the passions and sorrows.
My soul, in pray,
Oh, child,
My soul, in pray!
They don't desire, they hold no
promises inside...
In them is music and light.
Two pretty eyes. The soul of a child.
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.